Postby jt3fan » Wed Apr 03, 2013 9:29 pm
I'm going to start with my pick of the week: Rocketeer Hollywood Horror #2. This is a very different take on Rocketeer, both in story being driven by a narrator and the art, which is very cartoony (in my estimation). Fun stuff, the Simonson covers are driving me to wait in line for him at a con this year to get a sketch of Secord.
Now, the not so fun stuff.
GI Joe #2: I was on the fence with the first issue. Talked to someone last night that said he thought this issue was better, so I was optimistic. I got the B cover, which has new Doc holding a gun like a wannabe gangster. SHE'S IN THE FRIGGIN' MILITARY, artistic license be damned. I get it's a comic book, but come on, it's ridiculous. The issue itself was a bit better than #1, but I get the impression that IDW really doesn't know what to do with the property. We're going down another path, which they claim is tied to the previous Dixon stuff, but certainly doesn't feel like it. Hashtag still sucks, I hope she's written out soon, the whole bit about hating guns and being in the serivce because ROTC scholarships are good? If I'd been Cover Girl, I'd have shot her myself.
Special Missions #1 and #2: I've met Chuck Dixon. He was a really, really nice guy. I've given him several years to build stories and characters. The first "season" ended with Cobra troops on the moon, never to be discussed again (that I can remember). The second "season" was all over the place. He's going to have to tell stories in shorter arcs here, but this first one so far is not that great. I hate that everyone's got a nickname ("Mains" in particular), and Bildocker is annoying as hell. Gulacy's art is scattershot as well, there are some pages that are fantastic, then some that are really rough. The first page of #2, the shot of Scarlett her eye seems to take up half her head.
I'm giving both the books the first arcs, but if they keep this up, I'll be dropping them. I'll stick to RAH, which while can be a hot mess story-wise sometimes, but it's been more consistent than the other books and I know I get consistently better art, even when there's a fill in. It's come to a point that I can't continue to support IDW in what feels like a continued reinvention with no real plan.